Over the years, Akshay Kumar’s faith in Lord Shiva has grown profoundly, and it has been visible in his musical releases. In 2024, Akshay made his singing debut with the devotional song ‘Shambhu’, a track solely dedicated to Lord Shiva. Over a year since its release, Shambhu has crossed a whopping 50 million views, and the numbers continue to grow on YouTube. But it’s not just Shambhu that highlights Akshay Kumar’s faith in Mahadev!
‘BamBholle’ song from ‘Laxmii’ carried the same energy, depicting Akshay’s devotion towards the deity. Loaded with Indian pop beats, upbeat music, and a vibe that’s fused with spirituality, ‘BamBholle’ became the perfect track for listeners, especially the Gen-Z. Akshay Kumar danced with all his might to please Lord Shiva, and his fierce avatar amplified the song’s energy, making it one of the most explosive track.
Now, Mahakal Chalo is curated in a way that carries the roaring aura of the divine Mahakal. Akshay Kumar sang the song alongside Palash Sen and Vikram Montrose. Beyond being an infectious track, Mahakal Chalo is also a powerful expression of Akshay Kumar’s faith in Lord Shiva. The actor immerses himself in Shiva’s energy to exude power and devotion. Very often, he has spoken about his faith, stating that he’s been a Shiva bhakt for the longest time, and his connection with him has deepened over time. Now, with ‘Mahakal Chalo’, Akshay Kumar has brought to the fore an extraordinary blend of audio and visual spectacle.
Akshay Kumar’s devotion to the supreme deity expands beyond music. Audiences lauded the actor for carrying the poise and undertones of his character in OMG 2. Now, he is all set to make his Telugu debut with Kannappa, and will be seen stepping into the spiritual space yet again. While the excitement surrounding the film is palpable, Kannappa is scheduled to release on April 25, 2025. Meanwhile in ‘Mahakal Chalo’, Akshay’s expression and faith in Lord Shiva are being lauded among his fans for the right reasons, and the song is receiving a positive reception from the audience.
